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Who says Junguian have nothing to say about movies?
Jung film studies is a fast-growing discipline, but this is the first book to bring the best new writing from both
sides of the Atlantic. The essays represent both clinical and academic perspectives, forming an essential bridge
between analytical psychology as therapy and Junguian studies as a way of understanding the world. Scholary thinking
and analytic insight come together in focussing on the place of movies in our psychological development - both
through seminal films as 2001: A Space Odyssey, Blade Runner, Pulp Fiction, and other important movies wich exemplify
key concepts in gender and typology. The post-Junguian perspective may be summarized as a truly psychological involvement
with the imagery and narratives of movies wich, through exploration of the emotional relationship between the unconscious
and the image on the screen, offers a transformative experience for the audience. Christopher Hauke and Ian Alister
have brought together an outstanding array of contributors from Junguian analytic pratice and from the field of
Film, Media and Cultural Studies.
Crhistopher Hauke is lecturer in Psychoanalytic Studies at Goldsmiths College, University of london, and an IAAP
Junguian Analyst in private pratice in Kent. He has recently published Jung and the Postmodern: The Interpretation
of Realities (Routledge, 2000).
Ian Alister is a professional member of the Society of Analytical Psychology (SAP), in full-time private pratice
in Cambridge. He is currently involved in the analytic training and teaching of supervision at the SAP, London.
Ian Alister and Christopher Hauke are co-editors and contributors to Contemporary Junguian Analysis: Post-Junguian
Perspectives from the Society of Analytical Psychology (Routledge, 1998).
CONTENTS
List of films
Notes on contributors
Acknowledgments
Introduction - Christopher Hauke and Ian Alister
PART I: A JUNGUIAN PERSPECTIVE
1. Jung/sign/symbol/film - Don Fredericksen
2. The alchemy of Pulp Fiction - Lydia Lennhan
3. Image in motion - Pat Berry
PART II: FOUR FILMS AND A DIRECTOR
4. The grail quest and Field of Dreams - John Hollwitz
5. Dark City - Jane Ryan
6. "If you could see what I've seen with your eyes...": Post-human psychology and Blade Runner - Don
Williams
7. "Let's go back to finding out who we are": Men, Unheimlich and returning home in the films of Steven
Spielberg - Chritopher Hauke
PART III: STUDIES IN GENRES AND GENDER
9. Film noir: archetypes or stereotypes? - Luke Hockley
10. Love-life: using films in the interpretation of gender within analysis - Mary Dougherty
11. The anima in film - John Beebe
12. "Gay sensibility", the hermaphrodite, and Pedro Almodóvar's films - James Wyly
Glossary
Index
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